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Collaborative Translation Company Lingotek To Announce Contest Winner at World’s Largest Crowdsourcing Conference
Lingotek, a leading provider of collaborative translation solutions, is offering crowdsourcing fans the chance to win a prize in a contest held just before this year’s CrowdConf2011, the world’s first and largest conference on the future of distributed work. The contest, presented by Lingotek, will award the prize to the contestant with the best essay related to the importance of translation in global business.
The winner of the contest will be awarded access to Lingotek’s award-winning Collaborative Translation Platform—Hosted Version for one year as well as two tickets to the world’s largest crowdsourcing conference, CrowdConf2011 (approximate retail value of $36,100). The contest runs from October 6-21, please go to and click on the Contests page. If the contestant “likes” Lingotek on Facebook, enters the required information and shares their best essay related to the importance of language translation for business, the contestant will be entered into the contest. Entries will be judged by Lingotek President and CEO Rob Vandenberg, Crowdflower CEO Woody Hobbs, Crowdflower Founder and Executive Chairman Lukas Biewald and Daily Crowdsource Founder David Bratvold, the judges will present the award on October 25th and recognize the winner on stage at CrowdConf2011. See Official Rules for further information.
“CrowdConf2011 gathers leaders in a field that is fundamentally changing the way work is done around the globe,” said Rob Vandenberg, President and CEO of Lingotek. “Lingotek is one of the technologies on the cutting edge of this shift. We’re proud to be part of this world-changing discussion, as well as award the prize of Lingotek’s crowd-oriented benefits to a lucky winner.”
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Having created the first novel crowdsourced via Twitter, it was only time before the crowd were to be enlisted once more, this time to translate the novel into English, Swedish, Spanish, German & French.
The story began back in the summer of 2010 when a team of five ambitious folk in Finland decided to experiment with social media, looking for new ways to engage the crowd. Having had enough of growing digital carrots, they decided to see if they could crowdsource a novel. Their mission was to show what can be achieved by the power of crowds using social media and to allow random people the opportunity to reveal their inner authors.
The co-creation process started when Finnish author Mikko Karppi published the opening of the story providing no further direction for the plot. How it was going to unfold, and how the story was going to end was to be left for the crowd to decide. They were sure that the crowd would know better.
The crowdsourcing and crowdfunding industry is picking up momentum at an exceptional rate. Validity of the models involved is now grounded in the ever-increasing size of the participatory crowd, the scale of the capital networks involved, and the unique value delivered to customers, communities, and investors alike. Astute expansion-stage venture firms are now decisively backing and further fuelling explosive high-growth in crowd-driven companies. With more than $280 million invested in 35 different crowdsourcing and crowdfunding platforms during 2011 — an average investment of $8 million per funding round — it is clear that the industry’s probationary period is over.
Crowdsourcing.org posed a few questions to Enric Senabre Hidalgo, projects coordinator & community manager for Spanish crowdfunding platform Goteo. The website opened for business two months ago and has already successfully funded four pojects and is receiving thousands of visits each day.
What are the advantages of crowdsourcing translation, and how to engage the multilingual community? Florence Broder, community manager at Webflakes, writes in to offer her perspective.
Shay Stewart, an entrepreneur who is currently raising money for a gelato shop called Leilani & Kalani on the crowdfunding platform ProHatch, will be contributing regular articles over the next few weeks, detailing his crowdfunding journey and giving advice on how to create a solid business plan, an engaging campaign, and an appealing video to help draw the crowd to the campaign page. In this first part of the series, Stewart discusses how to prepare for the campaign, focusing on writing the business plan and choosing the appropriate funding platform.
Many scientific advancements in prior centuries can be attributed to a single individual or, at most, two to three people that have either independently or jointly innovated. However, advances in technology, global communications and social interactions have meant that the 21st century will be recognized as the century where mass collaboration changes the paradigm.
Citizen Science has become more of a differentiator as scientists are now turning to crowdsourcing to engage large communities of home scientists to help process vast amounts of data and to draw accurate conclusions from scientific research.
In April of this year the Brazilian market witnessed the first merger of crowdfunding platforms. Multidão, which was launched that same day, and Catarse have joined together to form the group Comum: a nonprofit organization aiming to stimulate crowdfunding in all its possibilities, from an open network to building an ecosystem to create value based on collaboration. Currently, the two sites coexist, and share similar focuses yet soon they will have their own directions.
BRINGING YOU CROWDSOURCING NEWS FROM AROUND THE WORLD
Crowdsourcing.org recently connected with Marina Miranda from Colaboratorie Mutopo, a social production company that brands itself as “thinkers, makers, builders, designers, and producers who believe in the power of collaboration”. Miranda leads Mutopo’s business in Brazil, and shared some insight on the company’s vision there.
The most important thing in regarding Fiat’s development of the Fiat Mio (translated: ‘My Fiat”), the world’s first ever open source car, is not the participation of the crowd itself, but the fact that, for the first time, the auto industry initiated the endeavor as an open source project and release it for everybody under the Creative Commons license.
Fiat’s choice resulted in an open forum and marked a move to an approach for automobile production that is normally dominated by a culture of secrecy. How revolutionary and subversive was the adoption of this approach? The specification of the Mio is now available for anyone to see -- an open work that challenges the traditions of automobile manufacture.
So when the customer experience begins with the design of a car and not just the ownership experience and the role of the manufacturer becomes the orchestrator amongst customers and engineering teams, what impact does that have on the value of the brand in a world of open source knowledge? Is the brand enhanced or devalued?